There are various ways, in the movies as in life, of tackling grief. The old man in Pixar’s film Up (2009) did it by taking a trip. Less helpfully as it turned out, so did the couple played by Donald ...

Add Yahoo as a preferred source to see more of our stories on Google. “Looking for goshawks is like looking for grace: it comes, but not often, and you don’t get to say when or how,” writes Helen ...

“H Is for Hawk” should have been called “S Is for Symbolism.” The latest in a recent trend of movies featuring birds as therapeutic animals (like “My Penguin Friend” and “The Penguin Lessons”) lays ...

Based on a true story, Foy stars in Philippa Lowthorpe's festival favorite as a woman who turns to nature to heal a profound grief. Lauded British photojournalist Alisdair Macdonald was many things: A ...

I would say that it’s unusual for a somber set-in-the-UK drama based on a memoir (yes, it’s all true) to be released three weeks into the new year, well past awards noms deadline, but further research ...

Add Yahoo as a preferred source to see more of our stories on Google. (Photo Credit: Roadside Attractions) ComingSoon’s Tyler Treese spoke with H Is for Hawk director Philippa Lowthorpe and author ...

We’ve seen countless human-animal bonding films in the 120-plus years of cinema history, but the upcoming “H is For Hawk” is one such movie that promises to break new taxonomic ground. It’s founded on ...

A woman struggling after the death of her father turns to a pet hawk for companionship in "H is for Hawk," an emotionally raw story about grieving and learning to move on that refuses to tidy itself ...

A cinematic obsessive with the filmic palate of a starving raccoon, Rob London will watch pretty much anything once. With a mind like a steel trap, he's an endless fount of movie and TV trivia, borne ...

Roadside Attractions has acquired North American rights to “H Is for Hawk” directed and co-written by Philippa Lowthorpe and starring Claire Foy and Brendan Gleeson, the distributor announced on ...

A hawk, one assumes, cannot experience self-pity. Where would it sit in their existence, anyway, in that space between the fleeing rabbit and its shredded, pink flesh? In Philippa Lowthorpe’s H Is for ...